
Last night some nervous excitement and restlessness manifested themselves as a little dream date with two good people. We cruised the water on the transbay ferry, destroyed some chicken and waffles, and ended it up watching a band called Tinariwen. They're a Tuareg group, an ethnic minority from the East side of Mali. Their people have gotten caught up in a Lybia/Mali/independent state death match and have consequently spent the last 15+ years wandering in various forms of exile in the Sub-saharan desert. Supposedly they first performed in some Lybian barracks! Now, they're really into reconciliation and political awakening, a lyrical focus that comes across pretty amazingly in the warmth and righteousness of their sound. (Hi this is Paul Simon I have an important message for you...jk!) It's an immediately familiar style for those who have gotten into some other Malian music (Boubacar Traore, Ali Farka Toure, Sali Sidibe) but they have a roughness and immediacy that often gets glossed over in the more contemporary recordings of the aforementioned artists (which is like a secret jewel-encrusted lollipop for music dorks!). They wore their desert nomad gear which bummed me out as a potential Disney/Ry kooder style concession until I heard that one of them was spotted cruising the Tenderloin, smoking a cigarette in said gear. YES!
Their
rider makes a bold-type demand for milk which I inexplicably find to be right on. Some questions busted into my head though, like how does one start a world music booking
agency and ultimately select which artists have the potential for success in the west? Is there an exclusive binary between big in
Africa and big in
the west or
authentic and
inauthentic? It's confusing to love the most polished hippie mom MASTER OF THE DESERT GUITAR stuff from around the world and be drawn to the most fucked up and noisy domestic sounds. Like if I hear another Joe Satriani noodle I'm gonna lose it ya know???? Also, do other American regions have a more palatable hippy/African attendance ratio at shows? How does the group feel about the barefoot hippie-capitalists doing the vineyard dance at their shows? Does the tree-falling white man from
Touki Bouki belong in this conversation?? Is my plan to move to Zimbabwe
regressive and not
progressive??? RHETORICAL QUESTIONS ARE SELFISH LITTLE BOTTLES OF MILK ON A RIDER! I tried to talk to the salty French band manager for a bit but little snippets and chitchat don't make for good bloggin' so just enjoy the songs already
Timariwen- AmidininTinariwen-Alkhar DessoufTinariwen- Eh Massina Sintadoben ALERT! ONE MORE MARGINALLY RELATED PIECE FOR THE POTLUCK
Adaneh Teka- Bob Marley
Image borrowed from
Claire